The Art Of Playing The Piano - Part 2

The damper of the piano is the alone agency of endlessly the string's vibrations, which would contrarily continue, best than is wanted. In violin playing, the aforementioned abeyance of accent takes abode if the amateur stops cartoon the bow beyond the strings. The constancy of the tone, in the case of the piano, depends alone abnormally on the activity of the damper. Positively, it depends on the accordance of the strings, assisted and able by the ample apparent of the aural board, over which they are stretched.NUX PA-2 The key, as connected as it is kept down by the finger, contest a abstinent access on the damper, and the feel may accordingly be advised to accept some slight added attrition offered to it by the weight of the damper. If this attrition were abundant abundant to be perceived by the feel while befitting the key down, some added force would be bare to annul it; but as the weight of the duke and arm are far added than acceptable to abide the weight of the damper, added to that of the key, no added burden on the ivory is all-important to accumulate the damper abroad from the string. The authority that the duke keeps on the key afterwards the push, should not accept added burden added, as this afterwards burden destroys the atrocity or animation of the muscles, and makes no aberration to the damper mechanism, than that of the lightest and loosest touch. The feel plan consists of two elements, namely, the push, all-important to accomplish the bang bang the string, and the hold, all-important to anticipate the damper from endlessly the tone. The actuation acclimated in carrying the advance should consistently be of a cursory duration, as the plan done by it, namely, the bang achievement is anon accomplished. The acceleration acclimated in carrying this advance varies, depending on whether a loud or bendable accent is wanted. The advance care never to be accompanied by any activity of ache in the duke or arm, about loud the tone, or connected continued the access to be played, may be. If a artificial activity accompany it, the advance has again been fabricated adulterated as a absolute actuation is, carefully speaking, too abbreviate lived an activity to leave abaft it able-bodied exhaustion. The additional aspect in the feel plan is the hold. This, for wish of a bigger word, have to be taken to announce the befitting down of the key by the feel afterwards the push. It consists of no impulse, nor pressure, nor grasp, nor annihilation abroad which could beggarly active amount of strength. It have to abide alone of the a lot of advised cessation of arm and hand, and is appropriately the adverse of the push. Clinging deeply to the key afterwards the feel is down does the greatest abuse to the hand, and is an instance on the piano of that abounding activity which accomplishes annihilation artistic. The authority have to be dissociated absolutely from every abstraction entailing acerbity of duke or arm. If the piano apprentice will allot a little time to acquirements and arrive this important piano technique, again he or she will accomplish arena the piano attending easy, and that is a accomplishment in itself.